Dept of Art University of Texas Arlington Mineli

An all-new Culture Buzz episode on MyArlingtonTV takes viewers to The Gallery at UTA for the "Mel Chin: Inescapable Histories" Fine art Exhibition.

"Mel Mentum: Inescapable Histories," a solo exhibition of xx-four works ranging in date from 1988 through 2022, will be on view in The Gallery at UTA from January 24 – March 30, 2022.

The Gallery at UTA is honored to host the exhibition and welcome Mel Mentum, a earth-renowned conceptual artist who utilizes painting, sculpture, film, drawing, collage, every bit well as and other creative media to address complex social and political issues facing contemporary society.

Born in Houston, Texas in 1951, Chin is known for the broad range of approaches he enlists in his art, including works that crave multi-disciplinary, collaborative teamwork, and works that enlist science, history, and politics equally components or layers to develop his ideas. The important issues and concepts he addresses influence the materials he utilizes - from actions, to films, to objects every bit needed.

Mentum too insinuates art into unlikely places, including destroyed homes, toxic landfills, and even popular television, investigating how art can provoke greater social awareness and responsibility. He created Revival Field (1991), pioneering the field of "greenish remediation," the apply of plants to remove toxic, heavy metals from the soil. From 1995-1998 he formed the GALA Committee, a collective that produced In the Name of the Identify a public art project conducted on American prime-time television. His Fundred Project (2008-nowadays) invests in actions to end babyhood atomic number 82-poisoning through mass public engagement via the creation of fine art currency as a means for policy-maker education. He continues to produce original films such as ix-11/9-11 (2007), a pic to decenter preoccupations that engender nationalism, winning the Pedro Sienna Award for Best Animation, National Council for the Arts and Cultures, Republic of chile, 2007; and L'Arctique est Paris (2015), to evangelize the poignant warnings of a Greenlandic subsistence hunter to an international audience for COP21. In the summer of 2018, he filled New York'south Times Square with a massive sculpture, Wake, on the footing, and an Augmented Reality project, Unmoored, in the air, creating an experiential portal into a past maritime industry and a future of rising waters. All Over the Place, a 40-year survey exhibition at the Queens Museum, was named by Hyperallergic as the all-time NYC exhibition of 2018.

Mentum'southward work was documented in the pop PBS goggle box program, Art of the 21st Century and he is the recipient of many awards, grants, and honorary degrees from organizations such every bit the National Endowment for the Arts, New York State Council for the Arts, Art Matters, Creative Upper-case letter, and the Penny McCall, Pollock/Krasner, Joan Mitchell, Rockefeller and Louis Condolement Tiffany Foundations, among others. In 2019, he received a prestigious MacArthur Fellowship, and in 2021 he was elected to the American University of Arts and Letters.

Gallery hours are 10:00 a.m. to 5:00 p.m. Monday through Fri and 12:00 p.g. – five:00 p.grand. on Sabbatum. The Gallery is in the Fine Arts Building, Room 169, at 502 S. Cooper Street in Arlington. Free parking in the F7 parking lot on weekends and in the gallery visitor spot in the F7 lot by advance reservation during the week, or paid parking is always available in the nearby W Campus Parking Garage. Free parking in F7 lot during receptions.

For more information, contact Benito Huerta (817) 272-3143 or Patricia Healy (817) 272-5658.

All visitors are strongly encouraged to wear face coverings and maintain social distancing while on campus.

The 2021-2022 exhibition schedule is made possible by the generous support of the UTA Fine art & Art History Department.

Culture Buzz, MyArlingtonTV, UT Arlington

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Source: https://www.arlingtontx.gov/news/my_arlington_t_x/news_stories/culture_buzz_mel_chin_inescapable_histories

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